Wednesday, 8 February 2012





Taking these pieces back to the Arno creates, to my mind, a cyclical pattern of events that I hope will prove both visually engaged with the surrounding landscape but also relevant to the thoughts I've had over this period (replicas that draw upon new associations; separate to the history of the found object but invariably tied). I like to think that this may gently suggest the fragility of the artistic intervention in a new environment, where one must be forgiving of unforeseeable elements and fluctuating outcomes, as day-to-day, these pieces will become less sculpture and more a-kin to their originals. As riverside debris with little more than their original material values.

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